Dreaming is an inherent human condition; it is a subconscious act of remixing events, thoughts, and ideas. Making this process physical correlates with art and architecture.  In designing a pavilion that invites participants to dream about unique spaces, examples of previously realized space via the architectural history of London and its surrounding communities establish the framework for this project.  Canterbury Cathedral, Westminster Abbey, and Kings College Chapel exemplify the Gothic System that relishes a symbolic relationship with ecclesiastical, civic, institutional, and other public programs.  In these spaces, vaults, buttressing, and stained glass comprise a system of architectural elements reminiscent of past dreams realized.  While the relationship of these elements creates a space fit for large gatherings, the purposes of a pavilion scaled for small gatherings in a garden warrant a type of space that is less monumental.  Essentially, a garden is an escape from the built density of the city, a place in which colors of nature are experienced.  The horticultural diversity within the Museum Garden, for example, sets an existing stage full of color.  Castor oil plants, salvias, as well as the tulips and polyanthus that bloom in the spring, provide a natural context for bringing this color to the people of London.